My father, musician, industrial line mechanic and trouble shooter; taught me that in learning and doing things, nothing is impossible.
Precocious and prodigious, my brother and most tenacious friend, my first student who became my teacher also.
The quintessential performer, with exhaustive knowledge and musicianship.
I was Roland's private student in NYC from 1968 until 1971 or '72 while finishing my masters degree in composition from Long Island University.
Percussionist and Musical Inventor, an American heartland pioneer.
As close as family and more than the world’s greatest jazz guitarist, a profound musical thinker and composer.
A major historical force in European music, I was among several fortunate American students whose friendship he enjoyed in the mid sixties.
I based my own style on the geometry of his deeply poetic music.
Whose music and methods completely redirected my life.
Composition teachers at the Manhattan School of Music, they represent the best of the original ideals of “The Music Conservatory”.
Composition teachers at the Manhattan School of Music, they represent the best of the original ideals of “The Music Conservatory”.
Composition teachers at the Manhattan School of Music, they represent the best of the original ideals of “The Music Conservatory”.
Hidden treasure… ”Mozart” to Wolpe’s Beethoven.
Once a year, endless cups of Chinese tea and long talks from 1965 until his death in 1992.
Creating a taste for Mahler and introducing us in 1959 to the music of Elliot Carter, Milton Babbit, and other forbidden fruits.
Inventing and inhabiting his own special world with it’s own peculiar dazzling gravity and light.
Composer, trombonist, bassist, and lifelong best friend.
A “Beethoven” for the 20th Century, living in America.
Haunting beauty made in secret places.
Unofficially my greatest Jazz Professor; He is The Boss.
The generous, gentle, wildman of American music.
Thanks to Pat Martino's recommendation, Dennis' teaching brought conflict-resolution to my Jazz /Classical quandry.
Anyone lucky enough to have heard him play or, better yet, to have played with him, knows that words are hopelessly inadequate to describe his musical gifts